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Clients

Dsqueared 2
ColdCulture
Marni
Levis
Fila
Narsissist
Loreal
Maybelline
Madrid Fashion Week
Scuffers

Art & Design Productions

Hairstyling Design for Daisy Tour Rusowsky, 2025
HairDesign for Dimoni Studio in Fashion Week, 2025
ZEID Fest, Identity&Merch Design, 2023
Artefacto x Snap! Club! Club!, Identity&Merch, 2022
The Eco Lab (Identity & Web Design), 2021
Pastillas Rosas, Cover, 2020
ZETAK (Identity & Merch), 2019
Airu (Identity & Merch), 2019
Sopadevodka (Identity), 2019

Magazines

King Kong
Acero Magazine
Metal Magazine
Vogue
Bazaar
Office Magazine
Boycott Magazine
Forbes
Vanidad

Exhibitions

Bate Social Store (Madrid, 2025)
Casa Antillón (Madrid, 2023)
Kaleartean (Basuri, 2019)
Cosmos (Bilbao, 2019)
Conde Duque, diseñar para lo público (Madrid, 2019)
Arteshop (Bilbao, 2016-2018)

Artists

Rosalía
Ralphie Choo
Rojuu
Rusowsky
M.I.A
Yung Lean
Judeline
La Zowi
Lzaro
Natalia Lacunza
BB Trickz
Amore

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Hairstylist and Visual Artist
based in Madrid


For any inquieres gorkalarcan@gmail.com

Gorka Larcan is a versatile visual artist and designer from the Basque Country. He studied Creation and Design at the University of the Basque Country and a Master's Degree in Teaching Artistic Education. Later, he completed his education with a Higher Technical Certificate in Hairstyling & Hairdressing.
He began his career in graphic design and has since expanded his creative pursuits to include hairstyling and various forms of visual art. Larcan's work often explores the cultural significance of hair and its impact on identity and perception. Known for his avant-garde cuts and experimental style, Larcan challenges conventions while honoring tradition, turning each look into a powerful statement of identity, transformation, and art.

Back to works

Basajaun , 2023

Human hair helmet.

The piece consists of a helmet made of human hair that covers the head, reinterpreting the traditional appearance of this mythological figure. Like the Lamiak, the Basajaun is a character deeply connected to the forest and to nature, almost functioning as an extension of it. This connection is one of the reasons for its ambiguity: like nature itself, the Basajaun can be perceived either as a fearsome threat or as a generous benefactor, depending on the perspective adopted.

These ambiguous figures allow me to move beyond binary categories and explore complex, multifaceted identities—an approach that runs throughout my artistic practice. Through them, I seek to embrace contradiction, uncertainty, and diversity, creating space for more nuanced ways of understanding both the self and the world around us.