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Clients

Dsqueared 2
ColdCulture
Marni
Levis
Fila
Narsissist
Loreal
Maybelline
Madrid Fashion Week
Scuffers

Art & Design Productions

Hairstyling Design for Daisy Tour Rusowsky, 2025
HairDesign for Dimoni Studio in Fashion Week, 2025
ZEID Fest, Identity&Merch Design, 2023
Artefacto x Snap! Club! Club!, Identity&Merch, 2022
The Eco Lab (Identity & Web Design), 2021
Pastillas Rosas, Cover, 2020
ZETAK (Identity & Merch), 2019
Airu (Identity & Merch), 2019
Sopadevodka (Identity), 2019

Magazines

King Kong
Acero Magazine
Metal Magazine
Vogue
Bazaar
Office Magazine
Boycott Magazine
Forbes
Vanidad

Exhibitions

Bate Social Store (Madrid, 2025)
Casa Antillón (Madrid, 2023)
Kaleartean (Basuri, 2019)
Cosmos (Bilbao, 2019)
Conde Duque, diseñar para lo público (Madrid, 2019)
Arteshop (Bilbao, 2016-2018)

Artists

Rosalía
Ralphie Choo
Rojuu
Rusowsky
M.I.A
Yung Lean
Judeline
La Zowi
Lzaro
Natalia Lacunza
BB Trickz
Amore

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Hairstylist and Visual Artist
based in Madrid


For any inquieres gorkalarcan@gmail.com

Gorka Larcan is a versatile visual artist and designer from the Basque Country. He studied Creation and Design at the University of the Basque Country and a Master's Degree in Teaching Artistic Education. Later, he completed his education with a Higher Technical Certificate in Hairstyling & Hairdressing.
He began his career in graphic design and has since expanded his creative pursuits to include hairstyling and various forms of visual art. Larcan's work often explores the cultural significance of hair and its impact on identity and perception. Known for his avant-garde cuts and experimental style, Larcan challenges conventions while honoring tradition, turning each look into a powerful statement of identity, transformation, and art.

Back to works

Hair Cross , 2025

Natural hair installation

This installation presents a cross constructed from strands of natural human hair, each strand donated by individuals who chose to contribute a part of themselves to the work. The hair, carefully gathered and preserved, is woven and layered to form a fragile yet powerful structure that reinterprets a universal symbol through the intimacy of human material.

Rather than relying on traditional sacred or industrial materials, the piece uses something deeply personal—hair, a remnant of identity and presence. Each donation carries an invisible trace of its origin, transforming the cross into a collective body shaped by many lives.

Suspended in space, the structure shifts subtly with light and movement, revealing textures that oscillate between softness and discomfort, beauty and unease. It invites reflection on themes of memory, sacrifice, mortality, and shared humanity, questioning what it means to offer something of oneself in the creation of meaning.

The work does not seek to define belief, but to materialize connection—binding individual stories into a single form that is at once physical and symbolic.