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Clients

Dsqueared 2
ColdCulture
Marni
Levis
Fila
Narsissist
Loreal
Maybelline
Madrid Fashion Week
Scuffers

Art & Design Productions

Hairstyling Design for Daisy Tour Rusowsky, 2025
HairDesign for Dimoni Studio in Fashion Week, 2025
ZEID Fest, Identity&Merch Design, 2023
Artefacto x Snap! Club! Club!, Identity&Merch, 2022
The Eco Lab (Identity & Web Design), 2021
Pastillas Rosas, Cover, 2020
ZETAK (Identity & Merch), 2019
Airu (Identity & Merch), 2019
Sopadevodka (Identity), 2019

Magazines

King Kong
Acero Magazine
Metal Magazine
Vogue
Bazaar
Office Magazine
Boycott Magazine
Forbes
Vanidad

Exhibitions

Bate Social Store (Madrid, 2025)
Casa Antillón (Madrid, 2023)
Kaleartean (Basuri, 2019)
Cosmos (Bilbao, 2019)
Conde Duque, diseñar para lo público (Madrid, 2019)
Arteshop (Bilbao, 2016-2018)

Artists

Rosalía
Ralphie Choo
Rojuu
Rusowsky
M.I.A
Yung Lean
Judeline
La Zowi
Lzaro
Natalia Lacunza
BB Trickz
Amore

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Hairstylist and Visual Artist
based in Madrid


For any inquieres gorkalarcan@gmail.com

Gorka Larcan is a versatile visual artist and designer from the Basque Country. He studied Creation and Design at the University of the Basque Country and a Master's Degree in Teaching Artistic Education. Later, he completed his education with a Higher Technical Certificate in Hairstyling & Hairdressing.
He began his career in graphic design and has since expanded his creative pursuits to include hairstyling and various forms of visual art. Larcan's work often explores the cultural significance of hair and its impact on identity and perception. Known for his avant-garde cuts and experimental style, Larcan challenges conventions while honoring tradition, turning each look into a powerful statement of identity, transformation, and art.

Back to works

Hair pieces for lolita111000 , 2023

Hair pieces for lolita111000

This hair-based piece created for the artist Lolita111000 explores the gradual dissolution of the human body into an animal form. Using carefully arranged strands of hair, the work constructs a shifting silhouette in which the model’s figure no longer reads as purely human, but as something hybrid, instinctive, and uncertain.

The hair becomes both skin and fur, obscuring the boundaries of the body and allowing it to mutate into a creature-like presence. What begins as a recognizable human posture slowly transforms into a form that suggests animality—alert, embodied, and untamed.

Rather than depicting transformation as a sudden change, the piece lingers in the in-between state: a threshold where identity is unstable and perception oscillates between human and beast. It reflects on the primal layer of the body, the part that resists categorization and returns to instinct.

In this work, hair is not only material but language—carrying traces of identity while simultaneously dissolving it, allowing the body to become something other without fully leaving itself behind.