Ceramics
This piece is inspired by the structure of the human bone, translated into a form that also evokes the logic and rhythm of the sea. It exists in a space between anatomy and marine landscape, where internal scaffolding and underwater erosion begin to mirror each other.
The surface recalls the density and fragility of bone, yet it is shaped as if it had been slowly transformed by saltwater, currents, and time. It suggests something once living that has been carried, softened, and reformed by the ocean, like a fragment of a body turned into drifted matter.
In this tension between bone and sea, the work reflects on processes of transformation, decay, and preservation. The human body is imagined not as something fixed, but as material capable of dissolving into natural systems and reappearing in unfamiliar forms.
The piece becomes a point of convergence between land and water, interior structure and fluid movement—where what is biological and what is elemental are no longer separate, but continuously shaping one another.