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Clients

Dsqueared 2
ColdCulture
Marni
Levis
Fila
Narsissist
Loreal
Maybelline
Madrid Fashion Week
Scuffers

Art & Design Productions

Hairstyling Design for Daisy Tour Rusowsky, 2025
HairDesign for Dimoni Studio in Fashion Week, 2025
ZEID Fest, Identity&Merch Design, 2023
Artefacto x Snap! Club! Club!, Identity&Merch, 2022
The Eco Lab (Identity & Web Design), 2021
Pastillas Rosas, Cover, 2020
ZETAK (Identity & Merch), 2019
Airu (Identity & Merch), 2019
Sopadevodka (Identity), 2019

Magazines

King Kong
Acero Magazine
Metal Magazine
Vogue
Bazaar
Office Magazine
Boycott Magazine
Forbes
Vanidad

Exhibitions

Bate Social Store (Madrid, 2025)
Casa Antillón (Madrid, 2023)
Kaleartean (Basuri, 2019)
Cosmos (Bilbao, 2019)
Conde Duque, diseñar para lo público (Madrid, 2019)
Arteshop (Bilbao, 2016-2018)

Artists

Rosalía
Ralphie Choo
Rojuu
Rusowsky
M.I.A
Yung Lean
Judeline
La Zowi
Lzaro
Natalia Lacunza
BB Trickz
Amore

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Hairstylist and Visual Artist
based in Madrid


For any inquieres gorkalarcan@gmail.com

Gorka Larcan is a versatile visual artist and designer from the Basque Country. He studied Creation and Design at the University of the Basque Country and a Master's Degree in Teaching Artistic Education. Later, he completed his education with a Higher Technical Certificate in Hairstyling & Hairdressing.
He began his career in graphic design and has since expanded his creative pursuits to include hairstyling and various forms of visual art. Larcan's work often explores the cultural significance of hair and its impact on identity and perception. Known for his avant-garde cuts and experimental style, Larcan challenges conventions while honoring tradition, turning each look into a powerful statement of identity, transformation, and art.

Back to works

Pigtails , 2023

Hair Installation

Installation of a series of natural hair ponytails donated anonymously by different individuals. Each lock of hair is attached directly to the white gallery walls, forming a sparse horizontal arrangement that extends across the corner of the space. Varying in length, texture, color, and density, the hair fragments function as traces of absent bodies, suggesting both individuality and collective presence.

The work explores themes of identity, memory, intimacy, and bodily materiality. Removed from their original owners and detached from the body, the donated ponytails become remnants that carry personal histories while remaining anonymous. Their presentation within a stark, minimal environment emphasizes the tension between presence and absence, transforming everyday biological matter into a contemplative sculptural and relational gesture.

By bringing together contributions from multiple anonymous donors, the installation creates a silent archive of human existence, where differences in appearance evoke diversity while anonymity dissolves individual narratives. The piece invites viewers to reflect on notions of belonging, vulnerability, care, loss, and the ways in which the body can persist as material memory beyond personal identification.