Ceramics & hair
This ceramic piece draws inspiration from the structure and fragility of human bones, translating their forms into a sculptural language of clay. The surface carries a quiet tension between solidity and vulnerability, as if the object were a fossilized memory of the body rather than a functional vessel.
Emerging from its form is a single strand of hair, delicate and unexpected, breaking the stillness of the ceramic surface. This element introduces a living trace within an otherwise inert material, suggesting the persistence of human presence beyond the body itself.
Together, bone-like contours and the hair fragment evoke the idea of residual identity—the marks we leave behind, the parts of us that endure after transformation or absence. The piece becomes a meditation on corporeality, mortality, and the subtle boundary between what is alive and what remains.
